Adam Chad Brody
Adrian Buschmann
Adrian Piper
Adrien Chevalley
Aids-3d
Alex Hubbard
Ali Kepenek
Amy Yao
BFFA3AE
Bless Oscar Magnuson Mykita
Brock Enright
The Bruce High Quality Foundation
Charlotte Herzig
Chris Succo
Christine De La Garenne
Christopher Füllemann
Dan Shaw-Town
Daniel Keller
Dave Mcdermott
David Adamo
David Hendren
Davide Balula
Debora Delmar Corp.
Duncan Malashock
Ed Fornieles
Emmy Skensved
Evan Gruzis
Frank Lloyd Wright
Fritz Köthe
Gabriel Lester
George Egerton-Warburton
Gilles Furtwängler
Grit Hachmeister
Guillaume Pilet
Haley Mellin
Halina Kliem
Hans Isaksson
Hayal Pozanti
Hunter Chamberlain
Iris Touliatou
Ivan Comas
Jala Wahid
James Howard
Jan Håfström
Jason Simon
Jean-Luc Godard & Anne-Marie Miéville
Jean-Sébastien Grégoire
Jedediah Caesar
Jen Denike
Jens Einhorn
Jim Lee
John M Armleder
Jota Castro
Judith Braun
Julia Colavita
Juliana Cerqueira Leite
Langundtroia
Leonhard Hurzlmeier
Louisa Gagliardi
Lucas Jardin
Lucie Fontaine
Luke Barber-Smith
Manor Grunewald
Marc Bijl
Marcus Knupp
Margo Trushina
Marguerite Humeau
Marianne Vlaschits
Mark Titchner
Markus Amm
Marlene Stark
Matt Connors
Matthew Stone
Maximiliam Arnold
Mie Olise
Nathaniel Rackowe
Nazafarin Lotfi
Neil Beloufa
Nick Oberthaler
Nicolás Guagnini
Niels Sievers
Otto Piene
Paul Cowan
Pauline Beaudemont
Pauline Boudry & Renate Lorenz
Petros Moris
Piotr Łakomy
Rainer Ganahl
Ramaya Tegegne
Richard Frater
Rindon Johnson
Robert Powell
Roman Liška
Sarah Oppenheimer
Sebastian Black
Sebastian Lloyd Rees
Selina Grüter & Michèle Graf
Shade Therét
Shana Moulton
Shezad Dawood
Sister Corita Kent
Torben Ribe
Ulrich Erben
Vera Kox
Wyatt Kahn
Ylva Ogland
Adam Chad Brody
Adrian Buschmann
Adrian Piper
Adrien Chevalley
Aids-3d
Alex Hubbard
Ali Kepenek
Amy Yao
BFFA3AE
Bless Oscar Magnuson Mykita
Brock Enright
The Bruce High Quality Foundation
Charlotte Herzig
Chris Succo
Christine De La Garenne
Christopher Füllemann
Dan Shaw-Town
Daniel Keller
Dave Mcdermott
David Adamo
David Hendren
Davide Balula
Debora Delmar Corp.
Duncan Malashock
Ed Fornieles
Emmy Skensved
Evan Gruzis
Frank Lloyd Wright
Fritz Köthe
Gabriel Lester
George Egerton-Warburton
Gilles Furtwängler
Grit Hachmeister
Guillaume Pilet
Haley Mellin
Halina Kliem
Hans Isaksson
Hayal Pozanti
Hunter Chamberlain
Iris Touliatou
Ivan Comas
Jala Wahid
James Howard
Jan Håfström
Jason Simon
Jean-Luc Godard & Anne-Marie Miéville
Jean-Sébastien Grégoire
Jedediah Caesar
Jen Denike
Jens Einhorn
Jim Lee
John M Armleder
Jota Castro
Judith Braun
Julia Colavita
Juliana Cerqueira Leite
Langundtroia
Leonhard Hurzlmeier
Louisa Gagliardi
Lucas Jardin
Lucie Fontaine
Luke Barber-Smith
Manor Grunewald
Marc Bijl
Marcus Knupp
Margo Trushina
Marguerite Humeau
Marianne Vlaschits
Mark Titchner
Markus Amm
Marlene Stark
Matt Connors
Matthew Stone
Maximiliam Arnold
Mie Olise
Nathaniel Rackowe
Nazafarin Lotfi
Neil Beloufa
Nick Oberthaler
Nicolás Guagnini
Niels Sievers
Otto Piene
Paul Cowan
Pauline Beaudemont
Pauline Boudry & Renate Lorenz
Petros Moris
Piotr Łakomy
Rainer Ganahl
Ramaya Tegegne
Richard Frater
Rindon Johnson
Robert Powell
Roman Liška
Sarah Oppenheimer
Sebastian Black
Sebastian Lloyd Rees
Selina Grüter & Michèle Graf
Shade Therét
Shana Moulton
Shezad Dawood
Sister Corita Kent
Torben Ribe
Ulrich Erben
Vera Kox
Wyatt Kahn
Ylva Ogland
CHRIS SUCCO
IMAGES
INFO

IMAGES
INFO
DUVE Berlin proudly presents the first solo exhibition of Düsseldorf based artist Chris Succo in Berlin. Entitled *Adjustments* the show brings together new sculptures, photographic works and oil paintings dedicated to a meticulous study of sculptural manipulation, re-compositions and alterations. Succo’s works collapse an obsession withsculptural form, especially carving out powerful gestural detail hidden within ordinary moments, and a primordial sense of isolation that is related to objecthood.

Mounted on a large billboard-like structure that stretches through the entire front room of the gallery, a photographic print forms a powerful prologue to the exhibition. The obfuscation and graininess of the motive - a fist that extends towards the center of the image - is achieved through means of a specific development technique and a particular photo film. This results in a heightened sense of contrast and plasticity, transforming its subject matter into a quasi-sculptural motive. The idea of body language as a plastic code that can be caught, investigated and reworked through material manipulations is present within all of Succo’s photographic works. The typical heavy wooden frames suspend their subjects in a transitional loop between imprisonment and deliberation: being framed, captured and retained by an artistic quest or, quite opposite, allowing simple and spontaneous human gestures to reveal unexpected potential.

Sculptural concerns are central to Succo’s practice and continuously taken advantage of when working two-dimensionally. A new series of oil paintings entitled *Studies for Oil Paintings*, ironically denounces their medium. Yet, these paintings are much more considered then they claim. Despite their effortless and accidental appeal, details are meticulously worked out. Applied in multiple layers and blocky, monochrome brush strokes paint seems sculpted onto it’s support. The oil paintings pair well with the series of spray-painted photographs. These depict scenarios, which are ambiguously located in between snapshot and a calculated staging and then reworked with distilled geometric shapes. The sincere minimalism of geometry, though, is ironically undermined by the absurdity of content and titles.

Like his oil paintings, they communicate the witty formal remarks of a sculptor on painting, combining anecdotal moments of anarchy, irony and aestheticism. Dispersed within the back room of the gallery, the group of black, patinated bronze sculptures takes a sculptural investigation of urban surroundings, temporary architectures and monumental public sculpture at their starting point. Through abstraction and accentuation of simple attributes such as color, shape and posture, Succo directs the attention towards the spirit these plastic objects carry with themselves. His choice of black bronze as principal material bears semblances to modernist monuments creating a haunted, romantic, mysterious power and a sort of failed utopianism: “I am interested in suggesting such an extreme physical presence” the artists explains “because it often reveals it uttermost opposite. I feel that taking a strong and powerful position, allows me to access notions of extreme sensitivity and vulnerability.”
Chris Succo was born 1979 in Düsseldorf. He earned his MA in sculpture from Academy of Fine Arts, Düsseldorf in 2009, where he studied as Meisterschüler with Prof. Georg Herold. Works by the
artists are exhibited internationally and have recently been shown at Fiebach und Minninger, Cologne (with Markus Golz), KIT (Kunst Im Tunnel), Düsseldorf; Museum Kunst-Palast, Düsseldorf, Kunst- und Ausstellungshalle der BRD, Bonn and Märkisches Museum, Witten. Succo has also been granted the renowned EHF fellowship 2010 by the Konrad Adenauer Stiftung and the dHCS Atelierstipendium by Kunstverein Düsseldorf 2009.